The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
卖情怀？把能叫来的都叫来露脸了 西岛俊秀很好 道枝不太可以 忽然觉得nino的大叔们好多（
西岛叔是整部剧的清流，其他人疯疯癫癫好欢乐。
原来最犯规的是片尾曲，胖虎落泪。全场演技MVP西岛叔，子俊真睫毛精，michi全程看脸，演技no comment（？
香川叔穿起粉色西装当一个好欺负的爸爸➕上司真可爱
7分吧，细节推理略牵强，作为电影表演也浮夸了点。
还可以 看到最后也差不多接受了小花的中二吵闹 甚至觉得有点可爱 道枝弟弟还是比较适合演憨憨笑的傻白甜 谐音梗依旧难笑到想跳过 香川叔歌舞伎感好强😂
能够想象和杉咲花对戏的西岛叔肯定笑场了，全员都是浮夸演技，感觉只有叔在认认真真演戏，叔完全就长着一副温柔爸爸脸嘛，怎么会是坏人呢！四星是给西岛叔和香川叔的～PS：真的好怕看到浓妆男呀！
@ grand cinema sunshine
一个很残忍的故事😭
不太有电影的感觉，案子本身也很简单，不过オヤジギャグ不愧是オヤジギャグ，旁边的大叔笑得特开心。还是希望有个好票房吧/愚钝如我，看第四遍才福至心灵get到后半部分的龙珠梗……
因为润润加一颗星 电影沿用电视剧套路 展开毫无意外少了一点新意 剧粉来说还算可以
依旧是精彩的求真过程穿插高密度梗的搞笑戏码，团队的磨合简直没话说，这样班底很大又比较长青的系列真是把三分逗七分捧体现得淋漓尽致，99.9的电影版里就是西岛秀俊和香川照之，每每看到香川叔的那些段落就觉得，叔真的已经成精了。以及杉咲花，虽然甚至比松润都弱，但神来之笔就是林家パー子的魔性笑声……太神了……我真的看得好开心
是两星还是三星犹豫了一下。还是给3星吧。尴尬的场景太多了，日本的宅文化和羞耻心真的体现的淋漓尽致。作为爽剧确实也不好奢求过多。但是，现在真是经济下行，电视电影艺术也疲软啊。吐槽完毕。划水结束，继续搬砖。
看一群神经质的法律工作者用沙雕还原法替人洗刷冤屈，笑着笑着有点想哭了，真相沉重！西岛的演技够赞，松本润的眼睫毛够长！
emmm，这剧情实在有点搞笑吧，不过还是期待有第三季，奈奈能回来不，不要客串
是不是脑子都有点？？？？这说话风格就这样的吗？？？？
皮套底衣氧化程度接近报废，王的最终形态是个缝合怪，GODA除了歪掉的面具是新做的，其他都是换色，Birth X的镜头加起来不到五分钟。本质上还是为了宣传OOO再版CSM，BirthCSM，鸟盾CSM，永恒鸟真骨雕以及将来会出的OOO王真骨雕，GODA真骨雕，Ankh完全体真骨雕拍的宣传片//距离OOO本篇开播接近十二年了，主演全员回归，映司弥补了没救下小女孩的遗憾，Ankh复活，虽然编剧强行捅刀，但是某种意义上是延续了小林靖子的风格，很幸运看的第一部来打是OOO。
一直盯着看哈哈哈哈哈，
金田五这个演技太辣眼睛了，这就是个普通的sp，不适合大荧幕
虽然也是律政片，日本拍的这种动漫风格很浓重的我还是不习惯，明明是真人，却扮演着中二风，十分违和，跟棒子一样呀呀呀的，好吵
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